La Manca Latino - Manchester Jazz Festival day 2

Blimey, so it's here again already, the thirteenth Manchester Jazz Festival and always the highlight of the Manchester jazz year - where did the year go? I couldn't make the opening Freedom Principle night at trof3 but by all reports the Bits and Pieces big band were especially kicking.

So I made my way down to St Anns Square on Saturday morning for the first full day. The event kicked off handsomely with Suzanne Higgins' 'Bossa Nouvelle'. Some great sunshiney sounds were proferred to fend of the mixed weather, bringing smiles aplenty to the dedicated crowd who refused to budge despite the frequent rainy spells. There were some tasty arrangements of classic latin tunes such as 'How Insensitive' and even a version of the much loved 'Girl from Ipanema' - quite brave I thought. It was good to hear a full band arranged version of this classic that can so easily sound a bit cheesy in it's usual dinner jazz duo setting. I especially liked there closing number that added a bit of a funky edge to the latin flavours and featured a ballsy bluesly solo from ever energetic Mike Walker.

This was swifty followed by the 'John Ellis Band' complete with steel drums from Kenji Fenton taking the uplifting mood set up by Bossa Nouvelle in an African and folky direction. The first track was an extended and quite jolly rolling piece that was enjoyable to begin with, but I was beginning to feel it needed to move somewhere. An irritating headache due to lack of food was doubtless not helping my appreciation though.

I returned after gaining some sustenance hoping to see '12twelve', the final act in the square. Not sure why, but they went on about 40 mins late so I was only able to catch the first track. A shame, as it sounded like it was going to be a good one. Following the great success of last years spanish import, MJF decided to play the same card again in more or less the same slot. It looked to be equally promising, the low strung guitar of Jaime Pantaleón indicating this was going to be a bit different, and the mention of krautrock giving an extra frisson of excitement.

True enough when the first track got going the free jazz and psychedelic elements were immediately present over a cruising swing beat and swaggering bass line from the rhythm section. A nice bit of echo pedal excess from guitarist Jaime reminiscent of Pink Floyd Live at Pompeii was fab to hear in a jazz context. Must check their MySpace me thinks.

Sad News

I've only just heard the tragic news that the great Swedish piano player Esbjörn Svensson died a few days ago aged 44 on the 14th June 2008 in a scuba diving accident in Stockholm. I'm a big fan of the EST record 'Viaticum' and was lucky enough to see the group play at the Bridgewater Hall a few years ago. Very sad news indeed.

RIP.

A xx

Harpin' On

I caught the last set of Matt Halsall's gig last night at Matt and Phreds. It kicked off with a punchy rendition of 'Sending My Love', a tune I particularly like and one of the tracks on Matt's fab new CD of the same name. You can now buy the CD from his also brand new Gondwana Record label. The website shop isn't live yet so you'll need to email the label to get a copy at the moment. The band line up now frequently includes a harp and last night there was some exquisite playing from Rachael Gladwin. She treated us to gorgeous extended solo introduction to the Cinematic Orchestra classic 'Ode to the Big Sea' making for a beautific and rousing end to the set. Some tasty Tranesque playing from sax player Nat Birchall warmed the ol' cockles nicely too.
I also bumped into Manchester Jazz Festival marketing maestro Fanny Guillaut down there, which reminds me I should mention that the full programme for the festival is now listed on the mjf website. I'll do a proper festival preview taster in another post I think. The mjf also has a MySpace page and Facebook group you can join if you prefer these alternative modes of communication. The jazz festival is the highlight of the North West jazz year and is always a brilliant week. I remember chatting to Cinematic Orchestra drummer Luke Flowers last year and he was enthusiastically comparing the festival vibe to what New York must have felt like in the 50s and 60s. I suggest you go study the website this minute and get the festival week (18th to the 26th July) blocked out in your diary right now if it isn't already.

Longsight Calling

I'm late getting this review out but I figured it was well worth as it was such a great gig. Matt Halsall has mentioned a few times to me about Arun Ghosh who has been playing regularly at the Royal Exchange Theatre. I still haven't made it to one of those but I did finally get down to the 'Northern Namaste' album launch gig at the Contact Theatre on the 17th of May. Damn glad I did as well as it was a really phenomenal gig. The band for this one was Arun's Indo-Jazz Sextet. Though I'm no expert, indo-jazz describes the overall sound well but there's a fair mix of different styles in there, much of it in a classic hypnotic modal vein. I particularly liked the track 'Uterine' reminiscent of a great Pharoah Sanders slow modal vamp. Another fave of mine was the CD opener 'Aurora' which is quite a tasty uplifting track that sets the mood and tone for the CD well. You can hear a number of the tracks on Arun's MySpace.

Arun is also visually captivating, swaying back and forth with one foot in front of the other propelling the notes forward with extra momentum. He frequently wanders off mic and out of the light adding a distant backdrop to the soloists. There was some great playing all round from the other players with Led Bib Bass player Liran Donin and keyboard player Kishon Khan standing out. I picked up a copy of the CD afterwards and I can highly recommend it. Buy one now.

In Through the Outram

I've been feeling a bit rough this week but made the effort to catch Dylan Howe's Unity4 down at The Cinnamon Club in leafy Bowdon. The band is essentially a homage to the classic Unity album by Larry Young, one I have to confess I wasn't previously familiar with. I was keen to make it as the quartet features Mike Outram on guitar. He's another one of our local boys made good, now being firmly ensconced as a premier fixture on the London jazz scene and is currently also a Professor of Guitar at Trinity College of Music - not bad eh?

It was a great outfit and there was some pretty impressive playing. Some of the tune heads were very complex and seemed incredibly hard to play but the players brushed them off with apparent ease. Some great improvising all round from Tony Kofi on sax, Dylan Howe on drums and Ross Stanley on Hammond. I like Mike's sound and feel, and he can nail a tasty fast run or two. I have a bit of a love hate one with the Hammond but Ross Stanley's swirling thick chords didn't overwhelm the sound. The Hammond is a key feature of the Unity CD and essential part of this group so I can't really complain. A good way to spend an evening down in Bowdon.

Small Objects Moving Very Quickly

So the hot weather has finally returned to this fine city of ours. I spent much of yesterday in the garden working on improvising through 'Autumn in New York'. I rather rashly suggested doing this song for a couple of duo gigs I've got coming up at the Southport Jazz Festival with Hannah Peel at the end of May. The song sounds simple enough on a surface listening but is actually quite complex in places, rapidly shifting between major, harmonic minor and melodic minor keys with a healthy dose of altered 7th chords and a whole bunch of other things going on as well.

The weather and the need to practice (and the thought of an early evening beer in the garden) all made me partially regret having got a ticket to see Bill Bruford and Michiel Borstlap at the RNCM last night. I did however make the effort and it was really worth it. Just before the Bruford gig was an RNCM student showcase of Terry Riley's minimalist masterpiece 'In C'. They started a little tentavively but soon got going and gave a great rendition of the piece which was suitably hypnotic and a good aperitif for the main course.


The Bruford/Borstlap duo immediately hit the spot for me with a great percussive intro instantly characteristic of the Bruford approach and sound, Borstlap drumming along with his fingers on the piano lid. The set was more or less entirely improvised with Borstlap wandering liberally between classic swing jazz sequences, Monkesque jagged blues riffs, Herbie style suspended chord grooves, contemplative nordic introverted sections and a whole lot more. There's just something about Bruford so that is so captivating. He sits more or less bolt upright and the playing is extremely precise but at the same time flows and grooves gorgeously in a way that's quite addictive to listen to. He can get very busy when he wants to but for me he's most engaging when he gets a strong pulse going and throws in his sneaky sporadic sideways jabs and cuts that make the whole thing so exciting. Bruford introduced quite a few of the tracks at length and he does come across just a tad public school pompous but he's interesting none the less so I think he can be forgiven for this.

Overall a really exciting and excellent concert. My only criticism really was that the pianist could have held back a little a times to allow the full Bruford effect to come across but it's a minor point. I hope I get a chance to see these two again and would recommend missing a few hours of rare UK sunshine to see them any day.

The Boy With The Thorne By His Side

I played a Freedom Principle gig down at the Revise Bar in Chorlton last Saturday with Sam Andreae on sax, Fin Panter on drums and late substitute Jon Thorne (Lamb) on double bass - we don't really have a name as yet. It was intended to be a loose low key improv thing with Sam providing us with a few recorded grooves and we just do as we see fit, so we hadn't really rehearsed. We figured as Jon had come in at the last moment however that we better do a few standards so we threw a few in for the first set.

It was a really cool gig and went down really well, even if I do say so myself. The first set was more standards based and had it's moments but I think we really hit the spot in the second set when we went for the groove improv thing big time. There was plenty of intense Miles style Bitches Brew digging in over some jazzy funky grooves from Fin. A take on Bonobo's 'Between the Lines' and a version of the Mr Scruff / Moondog 'Get a Move On' went down particularly well. A somewhat scruffy encore slant on a White Stripes track rounded the set off nicely.

Everyone in the band seems keen so we're intending to take it forward and get some more gigs. Jon promises to bring some effects pedals for the next one so that should be interesting. Thanks to Joe Jones from the Moss Freed Sextet for being especially positive and everyone else who made it down for this first outing. Join the Freedom Principle Facebook group if you want to hear about any future gigs.

A bit of rough and ready video from the gig:

Mike Walker Interview on ALL FM

A world exclusive tonight on mine and Sam Andreae's EXR Jazz Unsigned radio show on ALL FM. We've got guitarist Mike Walker coming in with sax player Iain Dixon. Mike's new and first CD, 'Madhouse and the Whole Thing There' is at last finally completed and will be available soon from Jazz CDs. We'll be interviewing Mike and Iain about the new CD and playing some tracks. This will be the first time any of the material from the CD will have been aired so we're really excited to have this exclusive. Mike is not one short for words and there's quite a story behind the CD so we should be in for an entertaining show.


We'll also be playing tracks from a couple of new Manchester jazz ska bands, Skamel and Baked A La Ska . Like buses these new jazz ska bands. There'll also be the usual listings for the next couple of months and a few previews from the last two.

Listen online or tune in if you can. The show runs from 11pm to 1am tonight.

Happy-Go-Mike-Leigh

I've been in film mode for the last couple of days. Yesterday I went to the Cornerhouse to check out the new Mike Leigh film, 'Happy-Go-Lucky' which was introduced by the director himself and followed by a Q&A with Mike and one of the actresses, Kate O'Flynn who played Suzy in the film.


I'm pleased to report that it's a great fun film with a lot of laughs without being flippant and overly light. It tells the story of Poppy, a thirty year old primary school teacher renting a flat in Finsbury Park who goes about being happy, positive and generally getting on with life. A quite intentional aspect of the film is that she at first appears quite surface to the point of being annoying but you soon realise that she has great wit and intelligence and has a very positive influence on her friends and the world around her. Actress Sally Hawkins who plays Poppy gives a great performance full of charm and humour whilst delivering the more serious scenes with the perfect balance. The film was also a fab little nostalgia trip for me as it was set very near where I used to live in north Camden.

It was interesting to follow with a question and answer session that illuminated on some of the themes of the film. Mike confirmed that he wanted to show a more positive outlook than portrayed in many of his previous films but without ignoring the fact that Poppy is living in the same tough world, the difference being that she deals with life's difficulties in her own way. He also talked about his method of film making using improvisation around ideas and themes, in this case for six months before doing any filming. One questioner suggested that the film is quite feminist potraying women as succeeding in coping with life and the men the one's struggling, a view that Mike agreed with. He also talked about the somewhat ironic fact that he's seen by many as the London film maker despite being from Salford. He said that he'd like to make more films in the north but that it's too expensive up here and actually cheaper in London. This does seem very surprising but he didn't explain why this is the case. It would be a great shame for film making in Manchester if this is generally true. All in all it was a great evening and I'm really glad I went along.

The film theme unexpectedly continued into today. I've just got back from having lunch with my other half and a good mate Helle at the Continental Cafe in West Didsbury where lo and behold, legendary director Ken Loach was there having lunch as well. There were rumours he would be at the Q&A last night as he's in Manchester making a film at the moment. I'm not sure what the film is about or where this is happening. Somewhere near West Didsbury perhaps? Maybe some film buff could let me know.

A Tale of Two Cities

I'm on a brief trip to New York staying with an old friend Frank (François) in the Lower East Side. Frank has been living here for quite a few years now and we've had a few conversations about the rapid gentrification and dramatic change of his neighborhood. The New York Time Out guide suggests the locale is now being referred to as 'BelDel' (short for below Delancey St), much to Frank's horror. It seems like a similar story to the development of our Northern Quarter with bars and cafes replacing the shop fitting stores and clothing wholesalers, and the moniker of 'BelDel' being somewhat like our various new 'quarter' names. There's an implicit assumption that this is a bad thing driving rents up and forcing the artists out but I'm not sure this logic applies to Manchester. Having said that, everyone I meet in New York seems to be a film maker, model or musician so it doesn't seem too bad. Frank is a film editor on a reasonable income but still needs the assistance of a protected rent scheme to afford to stay, a legacy of the fact that he's been here since the area's pre-hip days. In Manchester's case maybe there's more positives than for the Lower East Side and I welcome at least some cafe culture appearing.

That aside I'm having a great time hanging out here, writing this post in one such hipster cafe, Brown on Hester St (pic above). Great coffee and baked eggs. I also checked out guitarist Kurt Rosenwinkel at the Village Vanguard and spent a night in the Chelsea Hotel which was quite an experience. Some strange folk and great artwork but I still sensed an element of dated artificiality to it's rather forced bohemia.